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“The long scraping textures were used for moments of darker psychology within the series, creating eerie and evocative textural movements to support other thematic ideas.

The bowl recordings were also used as convolution reverbs. This mean that we could essentially run other sounds and instruments, such as the piano, through the sound of the bowl providing the piano with a fractured and distressed timbral quality.”

-Tic Ashfield [read more]